Jason Traeger
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Anyone who knows me knows I've never been one to revel in the past. I'm the last one to cast a misty-eyed glance back at the "good old days". In my experience the people who take this angle are usually the ones who weren't there. Whatever mistakes, false starts and missed opportunities I've had the pleasure of having, I was wherever I was for better or worse.

This blog is not meant to romanticize any choices I made or any particular era. It's simply a place where I share stories and take stock of where I've been as a way to figure out where I might want to go next. I'll celebrate some people along the way, some of them you'll know or know of, others will be new to you. I'm glad to have known every one of them.

The posts are in no thematic or chronological order. The date at the end of the post's title refers to how the content of the post relates to me personally. I make no claim about the accuracy of my recollections I only promise that I'll be as honest and accurate as I can be. If you were there and you remember things differently than I do, or you find evidence that contradicts my memory (I wouldn't be surprised or upset) feel free to let me know.

Rather than editing the posts for historical accuracy, I'll put ( * ) next to any parts that have been challenged or updated for that reason.


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November 27, 2012
FUGAZI DUBNARCOTICSOUNDSYSTEM WARMERS QUASI  STAGE TIMES PORTLAND 1995
Here’s a neat little scrap of Portland Rock history I’ve held onto these many years.
I don’t have any big story about this show except I remember it being a very good time. All the bands were great. Line-ups such as this were like family fun time for all my friends from Portland, D.C. and Olympia. I’m glad to have been a part of such a community in that era.
It turns out a live recording of Fugazi’s set from this night is available from Dischord as a download. 
(LaLuna stage times sheet from my personal archives)

FUGAZI DUBNARCOTICSOUNDSYSTEM WARMERS QUASI  STAGE TIMES PORTLAND 1995

Here’s a neat little scrap of Portland Rock history I’ve held onto these many years.

I don’t have any big story about this show except I remember it being a very good time. All the bands were great. Line-ups such as this were like family fun time for all my friends from Portland, D.C. and Olympia. I’m glad to have been a part of such a community in that era.

It turns out a live recording of Fugazi’s set from this night is available from Dischord as a download. 

(LaLuna stage times sheet from my personal archives)


10:01am  |   URL: http://tmblr.co/Zl8DhvY9yptq
(Notes: 6)
  
Filed under: 1990's dub narcotic sound system fugazi laluna portland quasi warmers ian mackaye alec mackaye calvin johnson k records dischord 
November 26, 2012
THE JASON TRAEGER SHOW  OLYMPIA 2000 
My Stand-up comedy career can be divided into three periods.
As a child I made a practice of memorizing routines and bits by Cheech and Chong, Steve Martin and George Carlin to perform for my friends and classmates. In fact my first performance in front of an audience was in 1977 when I did a medley of bits culled from Steve Martin’s classic albums of that era in front of my fourth grade class at Moorlands Elementary School in Bothell, Wa. 
I was a big hit with the kids but my teacher was less approving. She was especially upset when I did the joke “…when a person asks me in a restaurant ‘mind if I smoke?’, I ask them ‘mind if I fart?’” Of course the joke that drew the most ire from my teacher got the biggest laugh of all from the kids. I was hooked!
As a nine year old stand-up in the late 70’s I found it exceedingly difficult to make a career of it. This was, after all, a few years before the comedy explosion of the 80’s and at the time I wasn’t allowed to stay up past 9pm so it was tough. Once I’d exhausted all the audiences in my immediate surroundings I put my comedy dreams on the back burner to pursue the completion of my primary school education.
It wasn’t until about 25 years later while living in Olympia, WA. that I got back into Stand-up. I don’t remember exactly what inspired me to start hitting open mics at that time. I do remember feeling inspired after seeing Mitch Hedberg and Marc Maron a few months apart at a club in Oly that briefly hosted comedy around that time. I think those shows helped push me to give it another go. The time was right.
This second, middle-era of my Stand-up career started primarily at Seattle’s Comedy Underground and at Giggles out in the U District and then at Comedy Underground’s Tacoma location. I eventually moved back to California (I’d lived there in the 80’s and 90’s) spending sometime in SF performing at places like Brainwash, then in LA performing at various spots around town most frequently at the Lucy’s Laundromat on Sunset in Silverlake. This era culminated with a national tour I did doing Stand-up as an opener for musical acts Scout Niblett and Swearing at Motorists. I learned a lot on that tour. Among other things I learned that doing Stand-up in Baton Rouge, LA. at a biker/frat bar is not for the faint of heart. I also learned that while it seems like a bad idea to do a fistful of magic mushrooms before going onstage in front of hundreds in Dallas, TX., it’s not as bad an idea as you might think.
When I got back to LA after that tour I didn’t know which way was up and I’d pretty much lost the trail completely in my life. I just didn’t have the center of gravity to do much of anything so I moved back to the Northwest, bounced around a little, went to art school, studied painting, blew through some money, played music, got jobs, left jobs, lost jobs, I was in a fantastic art collective called Oregon Painting Society that did comedy shows from time to time, did tons of shows with OPS, performed at the Tate Modern in London, quit drugs and alcohol, did a couple Stand-up shows in art-world settings, and all kinds of other stuff.
About five months ago I started doing Stand-up again here in Portland. This begins the third chapter of my career. I don’t know why I started back up exactly. It’s true I was running out of patience with the vagaries of the art world, I couldn’t afford to throw every penny toward a painting career that got plenty of attention but almost no sales at all, I also was transitioning into being single again, and I was frankly a little bored with music. I wanted a form of expression that was compatible with working a lot and being strapped for cash. More than anything else though I just felt a calling to get back into it.
In Portland I’ve found Stand-up comedy heaven. It’s a great scene with tons of open mics in a bunch of great rooms. There are a slew of talented young and not-so young comics, the scene is creative, fresh, friendly and I can’t imagine it’s not at the beginning of a comedy explosion of sorts. All the pieces are in place. I am more excited by and engaged in comedy than I’ve ever been and it feels great. 
I’ve also been able to combine my love of visual art with my comedy career by sketching the ever changing faces and places of Portland comedy. I show my drawings on my Portland Stand-up Comedy Sketchbook Tumblr.
The above flyer is from a show at the ABC house in Olympia that was a held as a fundraising benefit prior to my move to California. I’m a little unsure as to what year that would’ve been. 2000 maybe? The flyer was drawn by my dear friend and brilliant artist Tae Won Yu. The bill featured my friends Lindsay Arnold who was making the rounds as a Stand-up at the time and Jared Warren of KARP, The Whip, Big Business and Melvins fame. Jared was between bands and was another one of my Stand-up Comedy mates for my trips up to Seattle to The Comedy Underground. Both Jared and Lindsay were and still are hilarious. Lindsay is a lawyer now and Jared is a rockstar still. 
Me? I’m a Stand-up comic! If you wanna see me do my thing go to almost any open mic in Portland. If I’m not on stage just look for the guy with the sketchbook.
(The Jason Traeger Show flyer by Tae Won Yu from my personal archives.)

THE JASON TRAEGER SHOW  OLYMPIA 2000 

My Stand-up comedy career can be divided into three periods.

As a child I made a practice of memorizing routines and bits by Cheech and Chong, Steve Martin and George Carlin to perform for my friends and classmates. In fact my first performance in front of an audience was in 1977 when I did a medley of bits culled from Steve Martin’s classic albums of that era in front of my fourth grade class at Moorlands Elementary School in Bothell, Wa. 

I was a big hit with the kids but my teacher was less approving. She was especially upset when I did the joke “…when a person asks me in a restaurant ‘mind if I smoke?’, I ask them ‘mind if I fart?’” Of course the joke that drew the most ire from my teacher got the biggest laugh of all from the kids. I was hooked!

As a nine year old stand-up in the late 70’s I found it exceedingly difficult to make a career of it. This was, after all, a few years before the comedy explosion of the 80’s and at the time I wasn’t allowed to stay up past 9pm so it was tough. Once I’d exhausted all the audiences in my immediate surroundings I put my comedy dreams on the back burner to pursue the completion of my primary school education.

It wasn’t until about 25 years later while living in Olympia, WA. that I got back into Stand-up. I don’t remember exactly what inspired me to start hitting open mics at that time. I do remember feeling inspired after seeing Mitch Hedberg and Marc Maron a few months apart at a club in Oly that briefly hosted comedy around that time. I think those shows helped push me to give it another go. The time was right.

This second, middle-era of my Stand-up career started primarily at Seattle’s Comedy Underground and at Giggles out in the U District and then at Comedy Underground’s Tacoma location. I eventually moved back to California (I’d lived there in the 80’s and 90’s) spending sometime in SF performing at places like Brainwash, then in LA performing at various spots around town most frequently at the Lucy’s Laundromat on Sunset in Silverlake. This era culminated with a national tour I did doing Stand-up as an opener for musical acts Scout Niblett and Swearing at Motorists. I learned a lot on that tour. Among other things I learned that doing Stand-up in Baton Rouge, LA. at a biker/frat bar is not for the faint of heart. I also learned that while it seems like a bad idea to do a fistful of magic mushrooms before going onstage in front of hundreds in Dallas, TX., it’s not as bad an idea as you might think.

When I got back to LA after that tour I didn’t know which way was up and I’d pretty much lost the trail completely in my life. I just didn’t have the center of gravity to do much of anything so I moved back to the Northwest, bounced around a little, went to art school, studied painting, blew through some money, played music, got jobs, left jobs, lost jobs, I was in a fantastic art collective called Oregon Painting Society that did comedy shows from time to time, did tons of shows with OPS, performed at the Tate Modern in London, quit drugs and alcohol, did a couple Stand-up shows in art-world settings, and all kinds of other stuff.

About five months ago I started doing Stand-up again here in Portland. This begins the third chapter of my career. I don’t know why I started back up exactly. It’s true I was running out of patience with the vagaries of the art world, I couldn’t afford to throw every penny toward a painting career that got plenty of attention but almost no sales at all, I also was transitioning into being single again, and I was frankly a little bored with music. I wanted a form of expression that was compatible with working a lot and being strapped for cash. More than anything else though I just felt a calling to get back into it.

In Portland I’ve found Stand-up comedy heaven. It’s a great scene with tons of open mics in a bunch of great rooms. There are a slew of talented young and not-so young comics, the scene is creative, fresh, friendly and I can’t imagine it’s not at the beginning of a comedy explosion of sorts. All the pieces are in place. I am more excited by and engaged in comedy than I’ve ever been and it feels great. 

I’ve also been able to combine my love of visual art with my comedy career by sketching the ever changing faces and places of Portland comedy. I show my drawings on my Portland Stand-up Comedy Sketchbook Tumblr.

The above flyer is from a show at the ABC house in Olympia that was a held as a fundraising benefit prior to my move to California. I’m a little unsure as to what year that would’ve been. 2000 maybe? The flyer was drawn by my dear friend and brilliant artist Tae Won Yu. The bill featured my friends Lindsay Arnold who was making the rounds as a Stand-up at the time and Jared Warren of KARP, The Whip, Big Business and Melvins fame. Jared was between bands and was another one of my Stand-up Comedy mates for my trips up to Seattle to The Comedy Underground. Both Jared and Lindsay were and still are hilarious. Lindsay is a lawyer now and Jared is a rockstar still. 

Me? I’m a Stand-up comic! If you wanna see me do my thing go to almost any open mic in Portland. If I’m not on stage just look for the guy with the sketchbook.

(The Jason Traeger Show flyer by Tae Won Yu from my personal archives.)

4:10pm  |   URL: http://tmblr.co/Zl8DhvY73cX5
(Notes: 8)
  
Filed under: Jared Warren abc house karp karp lives melvins metal olympia polar bears punk tae won yu tight bros from way back when stand up comedy open mic portland san francisco lucy's laundry mart mitch hedberg marc maron 
April 18, 2012
SEAN PATRICK KELLY JASON O’DONNELL TRAEGER COUCH POTATOES SAN DIEGO 1985
Sean Kelly is one of those guys. 
Like all my very best friends we’re a little different and a lot alike. If someone asked me to tell my best Sean Kelly story I’d ask them if they were kidding. There are just too many good ones. I’ve known Sean since we were teens. This photo was taken when he joined my family for a while in high school. He may have moved out of the house but as far I’m concerned he’s never stopped being a part of the family. 
I’ll tell a Sean Kelly story in a future post. I can’t promise it’ll be the best one but you can be sure it’ll be a good one!
Photo of Sean and me on my mom’s couch in Leucadia, CA. from my personal archives.

SEAN PATRICK KELLY JASON O’DONNELL TRAEGER COUCH POTATOES SAN DIEGO 1985

Sean Kelly is one of those guys. 

Like all my very best friends we’re a little different and a lot alike. If someone asked me to tell my best Sean Kelly story I’d ask them if they were kidding. There are just too many good ones. I’ve known Sean since we were teens. This photo was taken when he joined my family for a while in high school. He may have moved out of the house but as far I’m concerned he’s never stopped being a part of the family. 

I’ll tell a Sean Kelly story in a future post. I can’t promise it’ll be the best one but you can be sure it’ll be a good one!

Photo of Sean and me on my mom’s couch in Leucadia, CA. from my personal archives.

5:29pm  |   URL: http://tmblr.co/Zl8DhvJum0fV
(Notes: 3)
  
Filed under: sean kelly tight bros from way back when olympia san francisco los angeles san diego portland leucadia 
March 21, 2012

OREGON PAINTING SOCIETY AT TATE MODERN PORTLAND 2010

This is a video of the art collective I founded with some dear friends of mine in Portland called Oregon Painting Society.

In this video we can be seen at the Tate Modern’s 10th Anniversary celebration in 2010. We were invited to London by the artist Maurizio Cattelan and the curators Cecilia Alemani and Massimiliano Gioni to be a part of their No Soul for sale event in the museum’s Turbine Hall.

The festival drew 90,000 visitors and I’d estimate we met most of them. It was a beyond fun introducing OPS’s vibe to so many awesome people from every corner of the planet…not that a sphere can really have corners…more like fractal edges or…you get the idea.

I consider it one of the greatest privileges of my “career” (ha!) in art and music to have landed in a group like OPS. They are seriously the best. 

Video by Brenna Murphy (?)

(Source: thirstysurfer)

11:45am  |   URL: http://tmblr.co/Zl8DhvILTpmD
(Notes: 1)
  
Filed under: Maurizio Cattelan Oregon Painting Society Tate Modern brenna murphy cecilia alemani massimiliano gioni London Portland art brenna murphy barbara kinzle birch cooper 
March 20, 2012
OREGON PAINTING SOCIETY AT 319 SCHOLES 2012
Myself, Birch Cooper, Brenna Murphy are Oregon Painting Society at 319 Scholes in Brooklyn NY 03/15/2012. Birch and Brenna are two of the most inspiring and positive humans I have ever had the pleasure of working and collaborating with, every project with them is a gift. This one was no exception! As a part of Brian Droitcour’s Big Reality group show.
Photo by Brian Droitcour (?)

OREGON PAINTING SOCIETY AT 319 SCHOLES 2012

Myself, Birch Cooper, Brenna Murphy are Oregon Painting Society at 319 Scholes in Brooklyn NY 03/15/2012. Birch and Brenna are two of the most inspiring and positive humans I have ever had the pleasure of working and collaborating with, every project with them is a gift. This one was no exception! As a part of Brian Droitcour’s Big Reality group show.

Photo by Brian Droitcour (?)

6:23pm  |   URL: http://tmblr.co/Zl8DhvIJg6S9
(Notes: 7)
  
Filed under: 319 scholes Oregon Painting Society big reality brian droitcour brenna murphy birch cooper MSHR portland brooklyn 
March 20, 2012

SELECTOR DUB NARCOTIC TOUR 1998
I have no recollection of this mini-tour at all. The flyer makes me think it did happen however. 
Selector Dub Narcotic Presents - KG, Old Time Relijun, Star Athena, Tamala, and Jason Traeger by brettbigb on Flickr. Courtesy Brett Sandstrom.

SELECTOR DUB NARCOTIC TOUR 1998

I have no recollection of this mini-tour at all. The flyer makes me think it did happen however. 

Selector Dub Narcotic Presents - KG, Old Time Relijun, Star Athena, Tamala, and Jason Traeger by brettbigb on Flickr. Courtesy Brett Sandstrom.

(Source: thirstysurfer)

5:42pm  |   URL: http://tmblr.co/Zl8DhvIJVk3W
(Notes: 1)
  
Filed under: KG selector dub narcotic star seifert tae wonyu tamala seattle olympia portland 
March 20, 2012
JONATHAN LEVINE 1986
I met Jonathan LeVine in 1986 when we were teenagers. I had left high school early (“dropping out” has such negative connotations) to go on a nationwide tour as the roadie for 7 Seconds. We stayed with him and his mom after playing City Gardens in Trenton, NJ. I saw him again for the first time since then last week at his beautiful gallery in Manhattan. He’s just as cool as he was then. Whatever any of my art school friends might think one way or another of Jonathan’s aesthetic, his story is a truly inspiring one of a self made guy who followed his vision and made it to the big time by being honest, friendly and true to himself while helping a lot of really awesome artists make a good living along the way I might add. You can’t really f—k with that.
Plus he has a Teletubby suit and he’s not afraid to wear it. You can f—k with that but I’d  suggest you choose not to.

JONATHAN LEVINE 1986

I met Jonathan LeVine in 1986 when we were teenagers. I had left high school early (“dropping out” has such negative connotations) to go on a nationwide tour as the roadie for 7 Seconds. We stayed with him and his mom after playing City Gardens in Trenton, NJ. I saw him again for the first time since then last week at his beautiful gallery in Manhattan. He’s just as cool as he was then. Whatever any of my art school friends might think one way or another of Jonathan’s aesthetic, his story is a truly inspiring one of a self made guy who followed his vision and made it to the big time by being honest, friendly and true to himself while helping a lot of really awesome artists make a good living along the way I might add. You can’t really f—k with that.

Plus he has a Teletubby suit and he’s not afraid to wear it. You can f—k with that but I’d  suggest you choose not to.

5:02pm  |   URL: http://tmblr.co/Zl8DhvIJLqmR
Filed under: 7 seconds delusional jonathan levine trenton city gardens punk juxtapoz art shepard fairey delusional chelsea new york portland 
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